But considering that its most striking idea involves a baby that grows up really fast, “Beyond Skyline” tends to be goofy in the un-fun way.VBD - Villes et Bâtiments Durables The Skyline : an operational concept for the governance of the urban silhouette in the context of the return of towers in Paris, Lyon, and London – SKYLINE The Skyline : an operational concept for the governance of the urban silhouette in the context of the return of towers in Paris, Lyon, and London
The casting of Grillo with Uwais & Yuhan might be the film's most wacky artistic stroke of all. While being plainly unfunny in spite of its weirdness or ironic intentions, the life-and-death stakes are played coldly, to the point that some character deaths seem like lazy plot points more than tragedies. That much of “Beyond Skyline” seems composed with a green screen, and not glaringly so, is a credit to a filmmaking team that actively thinks big.īut this is all to dress up what’s a fairly rote sci-fi action script from O’Donnell, with placeholder dialogue, a durable yet dusty macho hero, and a simple plot of evading and then fighting a dull alien menace. Giger-inspired, skeletal-looking alien monsters, the eradicated landscape of Los Angeles after an alien visit.
#Beyond skyline 2015 movie
Like “Skyline” before it, this movie proves the scope of captivating visuals (both practical and CGI) that can be achieved without a hundred-million dollar budget: the slimy interiors of a cavernous spaceship, the H.R. This formation of this quasi-super team makes for some spirited, though visually redundant hand-to-claw combat in the final showdown. Even better, Mark, Audrey and others find themselves teaming up with super fighters like Iko Uwais’ Sua and Yayan Ruhian’s The Chief, especially as the aliens bring their battle to turf. While not all of these people survive the first 30 minutes of the movie and then get sucked onto the ship, being on board proves to be not the worst fate in the shoulder-shrugging logic of this simple plot thread: eventually the humans find themselves in Laos after they crash an alien spaceship, with a baby that rapidly ages (from the first movie, for all you “Skyline” super fans) that has alien-human blood that could help save the Earth. The two then team up with the likes of a subway conductor named Audrey ( Bojana Novakovic), and fellow cops like Garcia ( Jacob Vargas) and Sandra Jones ( Betty Gabriel), not to mention a blind homeless man named Sarge ( Antonio Fargas) whose narrative purpose is profoundly cheap. Frank Grillo’s Mark is a grizzled LAPD cop who has just picked up his Tucker Max-looking son Trent ( Jonny Weston) from jail when the attack happens. But this movie offers a different on-the-ground perspective, for the most part, as we follow a few different people trying to escape the towering aliens that are slingshotting human beings into their claw-hands or just ripping out their brains. The invasion is the same as in the original: large spacecrafts have sucked Los Angeles residents up into the sky using a bright blue light that hypnotizes them. But the mix of these giddy ingredients is diluted by its weak storytelling, leaving “Beyond Skyline” with only fleeting moments of genre glee to offer any special reason for it to exist.
This time, he drops the “ Cloverfield” vibe of "Skyline" and tries to throw a bunch of action movie craziness into the fray: Frank Grillo (“ Captain America: Civil War”), Iko Uwais and Yayan Ruhian (the dynamic Pencak Silat duo from the “Raid” movies) and yes, a granted wish for alien wrestling. Still, a genre geek could dream.įor his directorial debut, “Skyline” producer Liam O’Donnell sidesteps the the story originally by himself and co-writer Joshua Cordes, hungry for a similar “cool” that came from the first film’s last audacious moments. The visual cliffhanger is as grandiose as it is ridiculous, whether or not the homemade sci-fi movie from VFX gurus the Strause brothers could afford it.
That interest comes from its final moments: the promise of a battle royale between alien monsters, one of them steered by a human's brain. 2010’s “Skyline” maintains its unique position in bad movie history as the unlikely boondoggle that somehow made you want to see a sequel.
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